You turn around and see…
How about this
Which one scares the hell out you most?
You turn around and see…
How about this
Which one scares the hell out you most?
“Killer Klowns from outer space…holy shit.”
Yes, I’m in a clown frenzy today. I’m fully fixated on the horrible rubber nose circus monsters. They’ve been around forever and many a film maker has taken a crack at clowning around the horror genre.
The best of the best of the best be the fabulous Killer Klowns from Outer Space. A elegant movie, from a more civilized decade. Plus, movie trailers from back in the day had so much more heart (and a lot less plot reveal).
I know its been out for a bit now, but I just had to post the trailer. Let’s face fact. Clowns can be scary. Very scary. Done well they can make you shit your pants and them some. Case in point.
This one has been on my radar for several months and I’m tired of waiting around and avoiding spoilers. Look for a new Raw Review of said film this week. In the meantime, if you have seen the film enjoy trailer as a reminder of how horrible clowns are for birthday parties. If you haven’t seen the film, well… use your imagination.
Oh, and keep in mind that the director, Jon Watts, he is directing Spiderman: Homecoming. Muy loco am I right?!
Nothing kicks off baseball season better than rage zombie infected gore-fest horror movies. Peelers looks to scratch that itch with some violent, blood soaked, strip club horror. Take a look at the synopsis below and the exclusive clips along with the trailer. Review also on the way!
From Sevé Schelenz, director of Skew, comes the gooey, gory instant classic Peelers premiering on VOD this March.
Wren Walker, Caz Odin Darko and Madison J. Loos star in “a pretty damn fun trip” (Dread Central) that ‘’any horror fan is going to love from start to finish” (HEAVY Magazine).
Former baseball player Blue Jean Douglas is closing down her small-town strip club and leaving for good. But her plans are not so easily attained when a group of coal miners show up and with them a deadly contaminant. What starts out as a last hurrah for the infamous strip club, turns into a blood bath. With time running out, Blue Jean must step up to the plate to try and put a stop to the spread of destruction before it’s too late and she loses everything she holds dear.
Peelers, directed by Sevé Schelenz and written by Lisa DeVita, available On Demand March 28 from Uncork’d Entertainment.
Produced by James Wan (Insidious, The Conjuring), Lights Out is full length horror film inspired by a 2-minute short film created by Jason F. Sandburg. Apparently Wan was so impressed by the short film he helped Sandburg develop it into a full length film.
According to an io9 article on the film:
They asked Sandberg, who made the short film with his wife in their apartment, to come to Hollywood and make the feature as his directorial debut. He admits it was scary to walk into the set with so much power, but Wan said horror is the rare genre where that’s not just okay, it’s encouraged.
Not only is that awesome, but awe inspiring. Check out the trailer below and let us know what you think.
If you’re in the market for a midnight short movie you are in luck. Flesh Eating Film Reels was a staple on HBO for years. Its brilliant, fun and way ahead of its time. Hope you enjoy.
Genre film fans, particularly old genre film fans, tend to be very forgiving when discussing terrible films of yesteryear. Most old-timers, including myself, can always find redeeming values that overcome problems of writing, directing, acting, or budget to create an entertaining experience. Of course, there are exceptions, such as Birdemic!, where there are no redeeming values to be found. A review of which would require only one or two sentences if that much. Not worth the effort.
Don’t misunderstand — The Incredible Melting Man is a very bad movie. It is also approaching cult status, if it hasn’t already reached that objective. Part of the rationale for this phenomenon lies with the delay in transition from VHS to DVD, which created a small-but-vocal demand from people like me who saw the film first-run at drive-in theaters in 1977, and have time-weakened memories. VHS print quality varied, probably due to generational duping, indicating that the film wasn’t taken very seriously by the distribution industry, and that lack of attention continued with a few DVD releases. But the main reason for its growing popularity is the special effects provided by a young Rick Baker (1950 – 2015) whose stature as a makeup artist was beginning to emerge out of low-budget genre films (John Landis’s first film Schlock, 1973; Larry Cohen’s It’s Alive, 1974; Jeff Lieberman’s Squirm, 1976; Batman artist/writer Bill Finger’s Track of the Moon Beast, 1976). This film was also the second (uncredited) appearance of special makeup superstar Greg Cannom (The Howling, 1981; Dreamscape, 1984; Dick Tracy, 1990; Mrs. Doubtfire, 1993). Together, these two practical effects experts were responsible for lifting The Incredible Melting Man out of obscurity and into genre film semi-stardom.
This new release, viewed for the first time over a period of three decades, is unintentionally hilarious all by itself. It needed absolutely no help from the egregious Mystery Science Theater 3000 (MST3K) that targeted the film for derision in 1996. As if it isn’t obvious, I am no fan of any production that takes older genre films, edits them down to smaller chunks for the benefit of idiots who toss off one-liners to make themselves look good. Viewers can, and should, make their own humorous comments from the comfort of their own couches – and true entertainment is derived from a complete, uncut film released in excellent Blu-ray format by Shout! Factory. Visually, the film is a crisp and clear 1080p HD delight that amplifies the extreme close-up photography used (or misused) throughout.
The story is linear and simplistic – the sole survivor of America’s first trip to the rings of Saturn (Alex Rebar in his only screen credit) is pulled from (unseen) wreckage and isolated in a nearby warehouse… er, hospital, cared for by one doctor and one nurse. He’s suffering from the effects of watching our sun through Saturn’s rings. How the sun and its flares got so big from that distance is not something to dwell upon. But his eyes bleed while out in space, and back on Earth he begins to melt. He kills the overweight nurse because somehow the only doctor around reached a diagnosis that the astronaut needs blood to survive. The now-monster escapes the conveniently- unguarded “hospital.” The rest of the 84-minute film is a chase through a lightly-wooded area populated by cannon fodder, one hilarious encounter after another (I have to reference the “fisherman.” I just have to.) But it will be more fun for viewers if I don’t provide details. Strangely, though, the film concludes with a confrontation that generates a modicum of suspense, and a final scene that’s successful in portraying black, bittersweet humor.
In addition to Baker and Cannom, above, there are a few recognizable names involved with the film. In the acting department, veteran TV personality Burr DeBenning (1936 – 2003) sleepwalks through the lead role of Dr. Ted Nelson, former friend of the afflicted monster, and enemy of extreme close-ups designed to minimize low-budget background exposure. Another veteran familiar to fans of 50s and 60s genre features ( a very late serial, Panther Girl of the Kongo, 1955; Jungle Moon Men, 1955; The Unearthly 1957) and virtually every TV series up through the 70s, is Myron Healy as General Perry. Of those two, Healy fares just a bit better as far as dialog is concerned, throwing orders around in his trademark deep, booming voice.
But the true villain of this piece – if you don’t include the mindless melting creature – is Writer/Director William Sachs. Responsible for story logic (there is none), dialog that is painful to hear, and direction that displays his limited range (and fondness for extreme close-ups) unless you’re a fan of his only other genre credit (Galaxina, 1980). Included in the DVD extras is an interview with Sachs in which he blames the producers for all of the budget constraints that destroyed an otherwise viable film. Take him at his word if you will, but I have difficulty putting responsibility on a group of producers that include an uncredited Max Rosenberg of Hammer Films and Amicus Productions, and production manager Peter Cornberg (first assistant director, Blade Runner, 1982; production manager, Testament, 1983).
Despite its myriad flaws, however, The Incredible Melting Man has survived time and troubles, hanging around for a decent treatment that presents its positive aspects in hi-def glory. While the film still generates loud guffaws (as it absolutely should), both old and new viewers will experience a highly entertaining piece of genre history.
It turns out the widely announced M. Night Shyamalan reboot of Tales From The Crypt is going be very different than the original HBO series.
Bloody Disgusting is reporting that while TNT is planning to air the new series, HBO in fact still has the rights to the lovable and hilariously gruesome Crypt Keeper character we’ve all come to know and love.
This means TNT will most likely be using The Old Witch or The Vault-Keeper to host the show.
Oh and did I mention TNT thinks the show is better as a season long anthology (i.e. continuous story) rather than the weekly anthology style?
Click the link. Read the article. Let me know what you think.
I’m not a huge fan of ghost stories but The Conjuring is one of my favorite horror films. This is why I’m genuinely excited to see the next installment and if this trailer is truly capturing the heart of the movie we are in for a treat.
The supernatural thriller brings to the screen another real case from the files of renowned demonologists Ed and Lorraine Warren. Reprising their roles, Oscar nominee Vera Farmiga and Patrick Wilson star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.
The Conjuring 2 in theaters June 10, 2016.