The Incredible Melting Man (1977) – Retro Review

Genre film fans, particularly old genre film fans, tend to be very forgiving when discussing terrible films of yesteryear. Most old-timers, including myself, can always find redeeming values that overcome problems of writing, directing, acting, or budget to create an entertaining experience. Of course, there are exceptions, such as Birdemic!, where there are no redeeming values to be found. A review of which would require only one or two sentences if that much. Not worth the effort.

Don’t misunderstand — The Incredible Melting Man is a very bad movie. It is also approaching cult status, if it hasn’t already reached that objective. Part of the rationale for this phenomenon lies with the delay in transition from VHS to DVD, which created a small-but-vocal demand from people like me who saw the film first-run at drive-in theaters in 1977, and have time-weakened memories. VHS print quality varied, probably due to generational duping, indicating that the film wasn’t taken very seriously by the distribution industry, and that lack of attention continued with a few DVD releases. But the main reason for its growing popularity is the special effects provided by a young Rick Baker (1950 – 2015) whose stature as a makeup artist was beginning to emerge out of low-budget genre films (John Landis’s first film Schlock, 1973; Larry Cohen’s It’s Alive, 1974; Jeff Lieberman’s Squirm, 1976; Batman artist/writer Bill Finger’s Track of the Moon Beast, 1976). This film was also the second (uncredited) appearance of special makeup superstar Greg Cannom (The Howling, 1981; Dreamscape, 1984; Dick Tracy, 1990; Mrs. Doubtfire, 1993). Together, these two practical effects experts were responsible for lifting The Incredible Melting Man out of obscurity and into genre film semi-stardom.

This new release, viewed for the first time over a period of three decades, is unintentionally hilarious all by itself. It needed absolutely no help from the egregious Mystery Science Theater 3000 (MST3K) that targeted the film for derision in 1996. As if it isn’t obvious, I am no fan of any production that takes older genre films, edits them down to smaller chunks for the benefit of idiots who toss off one-liners to make themselves look good. Viewers can, and should, make their own humorous comments from the comfort of their own couches – and true entertainment is derived from a complete, uncut film released in excellent Blu-ray format by Shout! Factory. Visually, the film is a crisp and clear 1080p HD delight that amplifies the extreme close-up photography used (or misused) throughout.

The story is linear and simplistic – the sole survivor of America’s first trip to the rings of Saturn (Alex Rebar in his only screen credit) is pulled from (unseen) wreckage and isolated in a nearby warehouse… er, hospital, cared for by one doctor and one nurse. He’s suffering from the effects of watching our sun through Saturn’s rings. How the sun and its flares got so big from that distance is not something to dwell upon. But his eyes bleed while out in space, and back on Earth he begins to melt. He kills the overweight nurse because somehow the only doctor around reached a diagnosis that the astronaut needs blood to survive. The now-monster escapes the conveniently- unguarded “hospital.” The rest of the 84-minute film is a chase through a lightly-wooded area populated by cannon fodder, one hilarious encounter after another (I have to reference the “fisherman.” I just have to.) But it will be more fun for viewers if I don’t provide details. Strangely, though, the film concludes with a confrontation that generates a modicum of suspense, and a final scene that’s successful in portraying black, bittersweet humor.

In addition to Baker and Cannom, above, there are a few recognizable names involved with the film. In the acting department, veteran TV personality Burr DeBenning (1936 – 2003) sleepwalks through the lead role of Dr. Ted Nelson, former friend of the afflicted monster, and enemy of extreme close-ups designed to minimize low-budget background exposure. Another veteran familiar to fans of 50s and 60s genre features ( a very late serial, Panther Girl of the Kongo, 1955; Jungle Moon Men, 1955; The Unearthly 1957) and virtually every TV series up through the 70s, is Myron Healy as General Perry. Of those two, Healy fares just a bit better as far as dialog is concerned, throwing orders around in his trademark deep, booming voice.

But the true villain of this piece – if you don’t include the mindless melting creature – is Writer/Director William Sachs. Responsible for story logic (there is none), dialog that is painful to hear, and direction that displays his limited range (and fondness for extreme close-ups) unless you’re a fan of his only other genre credit (Galaxina, 1980). Included in the DVD extras is an interview with Sachs in which he blames the producers for all of the budget constraints that destroyed an otherwise viable film. Take him at his word if you will, but I have difficulty putting responsibility on a group of producers that include an uncredited Max Rosenberg of Hammer Films and Amicus Productions, and production manager Peter Cornberg (first assistant director, Blade Runner, 1982; production manager, Testament, 1983).

Despite its myriad flaws, however, The Incredible Melting Man has survived time and troubles, hanging around for a decent treatment that presents its positive aspects in hi-def glory. While the film still generates loud guffaws (as it absolutely should), both old and new viewers will experience a highly entertaining piece of genre history.

Sharknado 3 Leaked Poster!!!

Sorry but this looks freakin awesome!

Sharks in space? Space sharks? Laser sharks? Sharks with cosmic powers? Sharknado to the moon?!

Movie Review – (Return of) The Aliens Deadly Spawn (1983)

Alien monsters eat and kill and breed. Awesome fun!Aliens Deadly Spawn is a product of the early 80’s fascination with fake blood and giant latex monsters. Filming on  a meager budget of just $25,000 dollars (approx $59,000 today) director Douglas McKeown does wonders with what would otherwise be a total crap-fest. 

Fans of monster movies will love this film. Fans of bloody b-movies will love this film. Fans of anything 80’s will love this film. Basically, anyone who actually found their way to this blog and is taking the time to read this review will love this film. 

The most successful film formula back then (and probably today as well) is the single location, limited cast, horror film. Wondering why? Simple:

  • Single location means the studio doesn’t need to spend a lot of money renting locations or moving everything around. It also means the director doesn’t need to spend months in pre-production scouting locations. 
  • Limited cast means exactly that, limited. Don’t need to spend a lot of money on actors and/or contracts with a small cast. This allows more money for other expenses, or extra money to nail down one well known actor. 
  • Horror film is pretty self explanatory, but because I love to hear myself type I will explain anyway. Horror films are popular, have always been popular, and will always be popular. So if you have a low budget, a decent script, and some people willing to work for almost nothing (or preferably nothing) you have the opportunity to make a film that will be remembered long after you’ve realized your dream doesn’t pay the bills and you go back to working 9-5 somewhere you hate.  

(Return of) The Aliens Deadly Spawn cashes in on all three formulas for success. The film is obviously low budget but you’d never expect it to be $25k! Even today’s inflated rate of $59k is ridiculous when compared to some of the shit sandwiches Hollywood is pumping out with million dollar budgets. 

What makes Deadly Spawn exceptionally fun to watch is the creature effects. Remember this is the pre-CGI era of film making, when practical effects ruled the medium. In this case, the aliens and their spawn are just a pleasure to witness in action. Unlike today’s reliance on CGI everything, these monsters are down right terrifying with their undulating tubular bodies and the wet blood they clearly bathe in each time they score a kill. 

Q: Why the two names? Is it Return of or just Deadly Spawn… You’re confusing me! 
A: The original title was just The Aliens Deadly Spawn, but they changed it to Return of the Aliens Deadly Spawn to cash in on the success of Alien (yes, Ridley Scott’s Alien). I know right, total marketing whores. 

Q: So you’re saying the cheesy monster with the fake blood looks better than a CGI monster does nowadays? 
A: Absolutely, and it makes filming more realistic because the actors are actually interacting with the big monster rather than imagining where it is and what it’s doing. 

Q: This movie look stupid.
A: No you’re stupid. Besides, that’s not a question. 😛 

Q: Good date movie?
A: Yea. It’s fun and campy, lots of blood and body parts but the inclusion of the monster makes it pure sci-fi/fantasy. 

Q: How about the kids?
A: Sure! Get some popcorn and the whole family together. It’s like watching a Disney film only with mass amounts of people eating.      SERIOUSLY??!! Come on, it’s bloody as hell and has body parts in it. My kids will need to wait until they are at least 6 years old. 

Q: Where or where can I get a copy of this?
A: Anywhere. It’s a cult favorite and is available on blue-ray, Amazon, etc.