The Incredible Melting Man (1977) – Retro Review

Genre film fans, particularly old genre film fans, tend to be very forgiving when discussing terrible films of yesteryear. Most old-timers, including myself, can always find redeeming values that overcome problems of writing, directing, acting, or budget to create an entertaining experience. Of course, there are exceptions, such as Birdemic!, where there are no redeeming values to be found. A review of which would require only one or two sentences if that much. Not worth the effort.

Don’t misunderstand — The Incredible Melting Man is a very bad movie. It is also approaching cult status, if it hasn’t already reached that objective. Part of the rationale for this phenomenon lies with the delay in transition from VHS to DVD, which created a small-but-vocal demand from people like me who saw the film first-run at drive-in theaters in 1977, and have time-weakened memories. VHS print quality varied, probably due to generational duping, indicating that the film wasn’t taken very seriously by the distribution industry, and that lack of attention continued with a few DVD releases. But the main reason for its growing popularity is the special effects provided by a young Rick Baker (1950 – 2015) whose stature as a makeup artist was beginning to emerge out of low-budget genre films (John Landis’s first film Schlock, 1973; Larry Cohen’s It’s Alive, 1974; Jeff Lieberman’s Squirm, 1976; Batman artist/writer Bill Finger’s Track of the Moon Beast, 1976). This film was also the second (uncredited) appearance of special makeup superstar Greg Cannom (The Howling, 1981; Dreamscape, 1984; Dick Tracy, 1990; Mrs. Doubtfire, 1993). Together, these two practical effects experts were responsible for lifting The Incredible Melting Man out of obscurity and into genre film semi-stardom.

This new release, viewed for the first time over a period of three decades, is unintentionally hilarious all by itself. It needed absolutely no help from the egregious Mystery Science Theater 3000 (MST3K) that targeted the film for derision in 1996. As if it isn’t obvious, I am no fan of any production that takes older genre films, edits them down to smaller chunks for the benefit of idiots who toss off one-liners to make themselves look good. Viewers can, and should, make their own humorous comments from the comfort of their own couches – and true entertainment is derived from a complete, uncut film released in excellent Blu-ray format by Shout! Factory. Visually, the film is a crisp and clear 1080p HD delight that amplifies the extreme close-up photography used (or misused) throughout.

The story is linear and simplistic – the sole survivor of America’s first trip to the rings of Saturn (Alex Rebar in his only screen credit) is pulled from (unseen) wreckage and isolated in a nearby warehouse… er, hospital, cared for by one doctor and one nurse. He’s suffering from the effects of watching our sun through Saturn’s rings. How the sun and its flares got so big from that distance is not something to dwell upon. But his eyes bleed while out in space, and back on Earth he begins to melt. He kills the overweight nurse because somehow the only doctor around reached a diagnosis that the astronaut needs blood to survive. The now-monster escapes the conveniently- unguarded “hospital.” The rest of the 84-minute film is a chase through a lightly-wooded area populated by cannon fodder, one hilarious encounter after another (I have to reference the “fisherman.” I just have to.) But it will be more fun for viewers if I don’t provide details. Strangely, though, the film concludes with a confrontation that generates a modicum of suspense, and a final scene that’s successful in portraying black, bittersweet humor.

In addition to Baker and Cannom, above, there are a few recognizable names involved with the film. In the acting department, veteran TV personality Burr DeBenning (1936 – 2003) sleepwalks through the lead role of Dr. Ted Nelson, former friend of the afflicted monster, and enemy of extreme close-ups designed to minimize low-budget background exposure. Another veteran familiar to fans of 50s and 60s genre features ( a very late serial, Panther Girl of the Kongo, 1955; Jungle Moon Men, 1955; The Unearthly 1957) and virtually every TV series up through the 70s, is Myron Healy as General Perry. Of those two, Healy fares just a bit better as far as dialog is concerned, throwing orders around in his trademark deep, booming voice.

But the true villain of this piece – if you don’t include the mindless melting creature – is Writer/Director William Sachs. Responsible for story logic (there is none), dialog that is painful to hear, and direction that displays his limited range (and fondness for extreme close-ups) unless you’re a fan of his only other genre credit (Galaxina, 1980). Included in the DVD extras is an interview with Sachs in which he blames the producers for all of the budget constraints that destroyed an otherwise viable film. Take him at his word if you will, but I have difficulty putting responsibility on a group of producers that include an uncredited Max Rosenberg of Hammer Films and Amicus Productions, and production manager Peter Cornberg (first assistant director, Blade Runner, 1982; production manager, Testament, 1983).

Despite its myriad flaws, however, The Incredible Melting Man has survived time and troubles, hanging around for a decent treatment that presents its positive aspects in hi-def glory. While the film still generates loud guffaws (as it absolutely should), both old and new viewers will experience a highly entertaining piece of genre history.

The Black Scorpion (1957) – Retro Review

Over the last decade or so, Baby-Boomer genre fans and collectors have welcomed a resurgence of science fiction and horror films of the 1950s in the form of standard and blu-ray DVD releases. The packaging and availability, however, differs wildly. There are some incredible bargains, such as the four-pack Icons of Horror: Sam Katzman boxset that collects The Giant Claw, Creature with the Atom Brain, Zombies of Mora Tau, and The Werewolf for the price of a single blu-ray disk. We’re not talking low-quality public domain films here, shoddily transferred from a blurry VHS tape recorded off television; these are crisp black-and-white prints as watchable now as when the viewer was 10- or 12-years old.

A number of until-recently-inaccessible films have received a (theoretical) upgrade to blu-ray format in either single or double-feature releases. Among those are some classics – Forbidden Planet and Them!, for example – and some less-than classic, such as The Neanderthal Man. And last, and not quite least, are the few titles held closely by production companies and released only in DVR format. The Black Scorpion, available on-demand from the Warner Bros. Archive Collection, is one of those titles. It is very doubtful that we’ll ever see a blu-ray version of this fun little picture, but… never say never.

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The Black Scorpion carries a serious pedigree – it is the last feature film associated with the legendary Willis H. O’Brien, or OBie in genre vernacular. O’Brien is arguably the most famous of stop-motion film effect creators, at least until the emergence of Ray Harryhausen, and Harryhausen was O’Brien’s protégé. O’Brien developed the technology behind King Kong (1933), Son of Kong (1933; uncredited), and the original Mighty Joe Young (1949). The mantle of superior  achievement in stop-motion technology passed on to Harryhausen in 1958, with The 7th Voyage of Sinbad.

Received industry knowledge indicates that The Black Scorpion film emerged from test footage of a stop-motion scorpion created by O’Brien and his assistant, Pete Peterson. Warner Bros. producers, intrigued by the possibility of a money-making successor to Them! (1954), hired O’Brien and Peterson to follow-up and expand the test footage into a marketable film. As it turned out, The Black Scorpion was released with a simplistic story and a weak script, but the effects are so diverse and bizarre they carry the film.

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The Black Scorpion is somewhat of a rarity among the Big Critter films of the 1950s in that the titular monster derives from volcanic activity rather than the common radiation mutation. Principal location cinematography in Mexico adds additional verisimilitude to the story – the terrain is sufficiently rugged, remote, and an active volcano is certainly not out of the question. The volcano opens a cavern from which several giant scorpions emerge to terrorize the rural countryside. But the special effects team serves up additional visual treats – in addition to the “regular” giant scorpions, there is a gigantic scorpion that preys on its own, and anything else that gets in the way, and assorted large insects lurking in the cavern.

Richard Denning plays Hank Scott, an American geologist sent to Mexico to do science on the volcano, but also help authorities with relocation of villagers cut off by earthquakes and landslides. And there he meets wealthy rancher, Teresa Alvarez, as played by the gorgeous Mara Corday, just as the scorpions begin their ravaging. Both actors were not strangers to genre films in 1957. Denning was a very visible semi-heavy in the widely acclaimed Creature from the Black Lagoon (1954), and lesser vehicles such as Target: Earth (1954), Roger Corman’s post-apocalyptic “thriller” Day the World Ended (1955), and Creature with the Atom Brain (1955). He also was a TV stalwart both before and after this particular film, probably most widely known as Governor Paul Jameson in the long-running Hawaii Five-O (1968 – 1980). Mara Corday was a B-movie star with just a few TV credits. The Black Scorpion was the last of her three genre films, but the other two are memorable for different reasons – Tarantula (1955) is a highly-regarded Big Bug films, while The Giant Claw (1957) is considered to be one of the silliest of 50s black-white monster movies. Arguably, Corday was at the peak of her profession when The Black Scorpion was released. In January of that year, she married TV personality Richard Long, a union that lasted 17 years until his death in 1974. In October, 1958, she was Playboy’s co-Playmate of the Month. And a friendship kindled with Clint Eastwood on the set of Tarantula led to appearances in four of his films.


The Black Scorpion certainly can’t be considered as a classic in its genre. Production problems led to some cutbacks on special effect expenses that are very evident in the film. When the scorpion of the title has (conveniently) eaten all of his brethren and set sights toward Mexico City, what viewers see are imposed negatives of the beast rather than the complete stop-motion critter. The Black Scorpion is very, very black. But given all the associated problems, The Black Scorpion remains one of the most enjoyable of genre films. Special effects carry it almost completely, at least up to the suburbs of Mexico City. 

Tales from the Crypt Reboot Might Not Be What We Expected

It turns out the widely announced M. Night Shyamalan reboot of Tales From The Crypt is going be very different than the original HBO series.

Bloody Disgusting is reporting that while TNT is planning to air the new series, HBO in fact still has the rights to the lovable and hilariously gruesome Crypt Keeper character we’ve all come to know and love.

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This means TNT will most likely be using The Old Witch or The Vault-Keeper to host the show.

Oh and did I mention TNT thinks the show is better as a season long anthology (i.e. continuous story) rather than the weekly anthology style?

Click the link. Read the article. Let me know what you think.

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The New Trailer for The Conjuring 2 Is Awesome

I’m not a huge fan of ghost stories but The Conjuring is one of my favorite horror films. This is why I’m genuinely excited to see the next installment and if this trailer is truly capturing the heart of the movie we are in for a treat.

The supernatural thriller brings to the screen another real case from the files of renowned demonologists Ed and Lorraine Warren. Reprising their roles, Oscar nominee Vera Farmiga and Patrick Wilson star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

 

The Conjuring 2 in theaters June 10, 2016.

Bone Tomahawk (2015) – Raw Review

It’s hard enough to get a western made in Hollywood these days, let alone one infused with significant amounts of horror, but thank god someone green lit production on Bone Tomahawk.

Bone Tomahawk is without a doubt one of best movies of 2015. Smart, sophisticated, violent and atmospheric, no only is one of the better western films in the last thirty years but a damn brutal and terrifying horror movie as well.
Set in a small frontier town, the premise follows the Sheriff Hunt (Kurt Russell) as he leads a small group of volunteers (Patrick Wilson, Matthew Hunt, and Richard Jenkins) into the open prairie in pursuit of Troglodytes who’ve kidnapped several of the towns folk.
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Writer/director S. Craig Zahler’s screenplay is fantastic, setting a methodical pace for our heroes all the while fleshing out every character with some of the best dialogue I’ve ever heard in a film. The look and feel is immersive to the point that Bone Tomahawk transports the viewer into the time period thoroughly, engaging us with its attention to location and set designs, superior acting and a willingness to show the brutality of the old west.
The horror elements are largely held in reserve until the third act, but when they come they are as brutal as anything seen in more over the top horror films. Bone Tomahawk stands out however because Zahler does such a magnificent job establishing the narrative and context in the first two acts that the crescendo of violence leaves us paralyzed with anticipation and genuine fear for our heroes.
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I would be remiss if I failed to emphasize just how impressive Richard Jenkins, who plays Chicory the back-up deputy, is throughout the film. Jenkins performance is far and away the best of any I’ve seen in 2015 and although Bone Tomahawk is unlikely to be short listed for any of the Oscar categories Jenkins deserves a golden statue as much as anyone who receives one next month.
I cannot recommend this film enough. It’s easily in my favorite horror movies of 2015 along with It Follows, Spring, and We Are Still Here. Additionally, it fits in nicely with more mainstream violent films such as Sicario.
And for those hardcore horror fans out there, Bone Tomahawk features a cameo from Sid Hag, in a role that is probably the best he’s ever done.
Bone Tomahawk is now available on Blu-ray and Amazon Prime. DO NOT miss this movie.
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Anger of the Dead – (Official Trailer)

Calling All Fans of Italian Horror Movies!

Here is the official trailer for the upcoming film Anger of the Dead (aka Age of the Dead). Not sure how this one looks but we will probably do a review in the near future. IMDB provides the following synopsis:

 In a world ravaged by a virus that turns people into cannibals, a pregnant woman (Alice) manages to survive. Alice, in the company of two other men, strives to reach an island untouched by the plague. Meanwhile, a dangerous individual is on the trail of a mysterious girl, which causes Alice to realize that the Zombies are not her biggest and only threat.

Reviews where the corpse is still kicking.